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A project of the American Research Center in Egypt
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Entrances to QV58, QV59, QV60, and QV61 with workers' huts. Visitors shelter at QV66 and QV80 in background.
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Entryway A

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The entryway consists of a steep Ramp with Divided Stairway. The ramp originally contained 30 Steps on either side, but was covered with limestone blocks during the Coptic Period, reducing steps to 16. The entryway has a large Overhang.

Architectural Features

Divided stairway
Overhang
Ramp
Steps

Condition

Cutting finished
Excavated
Undecorated

Gate B

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The lintel originally contained solar iconography, typical of ramesside tombs. This is now lost. The gate's thicknesses are decorated with figures of the queen leaving the tomb. The left is the only image that remains.

Porter and Moss designation:

1

Condition

Cutting finished
Decoration damaged
Excavated

Decoration

  • Solar iconography

    now lost Lintel
  • Queen

    Figure of queen leaving the tomb (right destroyed) Thicknesses

Chamber B

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This chamber consists of a barrel Vaulted ceiling at the front and a flat ceiling in the rear. The latter was supported by two pillars of which now only the bottom parts remain. This chamber has the most preserved decoration, despite large parts having been damaged by hacking, scratched by debris, and the collapse of the lower parts of walls. The iconography includes the queen offering to various deities and two chapters from the Book of the Dead (spells 18 and 125B). Coptic Graffiti is also visible.

Porter and Moss designation:

Outer Hall

Architectural Features

Pillars
Vaulted ceiling

Condition

Cutting finished
Damaged structurally
Decoration damaged
Excavated

Decoration

  • Queen offering to deity

    Queen offering Ma'at to Ptah-Sokar in shrine. (South) wall (right part)
  • Queen offering to Deity

    Queen offering Ma'at to Osiris with two rows of squatting deities and demons below (South) wall (left part)
  • Book of the Dead

    Spell 125B. Figure of Isis in vignette with text and figures of deities below. (West) wall
  • Solar iconography

    Baboons adoring Horizon as Akhet. left (North) wall (upper part)
  • Queen before Deities

    Queen in adoration before Osiris and Hathor in shrine. Decorated Djed Pillar stands behind Hathor. right (North) wall
  • Queen

    Queen offering (East) wall (left part)
  • Book of the Dead

    Spell 18. (East) wall (right part)

Graffiti

  • Coptic Pictorial:

    Cross (East) wall (upper part)

Gate Ba

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This gate is cut into the northern wall of chamber B, on its western side, and provides access to a small side chamber. The only extant decoration is the remains of a Djed pillar on the left thickness.

Porter and Moss designation:

4

Condition

Cutting finished
Damaged structurally
Decoration damaged
Excavated

Decoration

  • Protective symbol

    Djed Pillar (damaged) left thickness

Side chamber Ba

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The north wall of this side chamber has collapsed, providing access to side chamber Ca. The decoration in this chamber has been completely destroyed. 

Condition

Cutting finished
Damaged structurally
Decoration damaged
Decoration undetermined

Gate Bb

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This gate is cut into the eastern wall of chamber B and provides access to a small side chamber. The lintel contains severely damaged text, over which a Coptic cross with arms holding a branch was carved.  

Porter and Moss designation:

9

Condition

Cutting finished
Decoration damaged
Excavated

Decoration

  • Text

    Remains of text (severely damaged) Lintel

Graffiti

  • Coptic Pictorial:

    Cross with arms holding branch. Lintel

Side chamber Bb

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This small side chamber is decorated with images of deities and a spell from the Book of the Dead (180). The western wall is severely damaged, to the point where gate Bb is nearly lost.  

Porter and Moss designation:

Side-room

Condition

Cutting finished
Damaged structurally
Decoration damaged
Excavated

Decoration

  • Deity

    Imsety with text (West) wall (right part)
  • Book of the Dead

    Spell 180. Ram-headed deity named "He who rests in Osiris, He who rests in Re" (West) wall (left part)
  • Deities

    Four sons of Horus with Isis and Nephthys (all figures mummiform with cobra atop their heads). (South) wall
  • Deities

    Seated Osiris (damaged) flanked by two winged Ma'ats. Behind the left Ma'at is the figure of the Queen. (East) wall
  • Deity

    Damaged deity, most likely Neit (North) wall

Gate C

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This gate is cut into the northern wall of Chamber B and provides access to the burial chamber. Most of the decoration is lost. The thicknesses contain badly preserved images of the queen leaving the tomb.

Porter and Moss designation:

14

Condition

Cutting finished
Decoration damaged
Excavated

Decoration

  • Queen

    Queen leaving the tomb Thicknesses

Burial chamber C

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The burial chamber is a long rectangular room that lies on axis with the entryway. A small niche is cut into the northern wall. The eastern wall originally contained two gates to two separate side chambers. This has since collapsed. Remains of a red granite Sarcophagus were discovered here by the Franco-Egyptian Mission. The decoration shows the queen offering to various deities. Most of the lower parts of the walls in this chamber are severely damaged.

  • Chamber plan:

    Rectangular
  • Relationship to main tomb axis:

    Parallel
  • Chamber layout:

    Flat floor, no pillars
  • Floor:

    One level
  • Ceiling:

    Flat

Porter and Moss designation:

Inner Hall

Condition

Cutting finished
Damaged structurally
Decoration damaged
Excavated

Decoration

  • Queen

    Queen depicted offering on either side of the doorway. The deities to whom she offers are depicted on the east and west walls. (South) wall
  • Deities

    Five deities originally depicted receiving offerings (from queen depicted on south wall). Only two are identifiable, Re-Horakhty and Thoth. (East) wall
  • Queen

    Queen depicted on either side of niche. She is wearing a vulture headrest and modius. (North) wall
  • Winged sun disk

    Behdet in the form of a winged sun disk above the niche (North) wall (upper part)
  • Deities

    Five deities originally depicted receiving offerings (from queen depicted on south wall). First two unidentifiable, followed by Geb, Shu, and Hathor. (West) wall

Sarcophagus

  • Extant remains:

    Box
  • Material:

    Red granite
  • Comments:

    Only two fragments remained.
  • Decoration:

  • Text:
    One fragment
  • Kheker frieze:
    One fragment

Gate Ca

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Gate Ca is cut into the western wall of burial chamber C and provides access to a side chamber. The only decoration that remains is text on the lintel, which is damaged.

Porter and Moss designation:

16

Condition

Cutting finished
Damaged structurally
Decoration damaged
Excavated

Decoration

  • Text

    Text severely damaged. Lintel

Side chamber Ca

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This small side chamber is similar in iconography to side chamber Bb in QV 73. The paintings are severely damaged, but were identified by the Franco-Egyptian Mission. They contain images of the Queen's Canopic chest, indicating that this room was used as storage for the burial equipment. The southern wall has collapsed, providing access to side chamber Ba.

Condition

Cutting finished
Damaged structurally
Decoration damaged
Excavated

Decoration

  • Burial equipment

    Images of the Queen's canopic chest. All walls

Gate Cb

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Now visible as a large break in the burial chamber, the eastern wall originally contained two gates leading to two separate side chambers. The lintel on the northern side of the eastern wall contains an image of Behdet as a winged sun disk. The left thickness of the northern gate and the right thickness of the southern gate still has remains of Djed pillars.

Porter and Moss designation:

20

Condition

Cutting finished
Damaged structurally
Decoration damaged
Excavated

Decoration

  • Winged sun disk

    Behdet as winged sun disk (North) Lintel
  • Amuletic symbol

    Djed pillar (damaged) right (South) thickness
  • Amuletic symbol

    Djed pillar (damaged) left (North) thickness

Side chamber Cb

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Now one large chamber, this side chamber was originally two separate side chambers. The wall separating the two chambers has collapsed and threatened the stability of the room. Due to the severe damage, only fragmentary decoration remains, particularly spell 180 of the Book of the Dead on the western wall.

Porter and Moss designation:

North east side-room

Condition

Cutting finished
Damaged structurally
Decoration damaged
Excavated

Decoration

  • Book of the Dead

    Spell 180. (West) wall (left part)

About

About

QV 60 is located on the north side of the main Wadi and is cut into the large rotated geologic block that makes up the valley. The original layout of QV 60 is not immediately apparent, given the loss of a number of internal walls that separate the chambers. The tomb is entered through a steep Ramp (A) leading into a pillared chamber (B) with barrel vault and eastern side chamber (Bb). Another small side chamber (Ba) lies to the northwest and connects to rear side chamber (Ca) through a break in the wall. On axis with the entrance to the tomb, a gate leads to the burial chamber (C), with a northern niche and gates to a large chamber to the east (Cb) (originally two side chambers with the separating wall having collapsed) and a side chamber to the west (Ca). The tomb is in poor condition with numerous structural problems, though it would originally have been one of the largest tombs in the valley with high quality painting. All the chambers presently connect and can be accessed at multiple points, which was not originally intended.

QV 60 is attributed to Nebettauy ('Mistress of the Two Lands'), who may have been the daughter of Rameses I and Isis-Neferet, although others propose her as a daughter of Nefertari and Rameses II. She appears fifth in the procession of daughters at Abu Simbel and is depicted with Bentanat (QV 71) at the foot of one of the colossi of Rameses Il on the façade of this temple. Otherwise, there is very little known about her life. She is part of a list on papyrus fragment Turin 1877, where she is labeled as 'great royal wife' along with other princess-wives of Rameses II. All of the images of Nebettauy in the tomb are damaged. QV 60 was not built in line with the other tombs of the daughters of Rameses Il (QV 68, QV 71, QV 73, QV 74, and QV 75) and the tombs of Nefertari (QV 66) and Queen Tuy (QV 80), but it was placed in front of QV 80 and near QV 58, also dating to the reign of Rameses II. Being the fifth daughter of Rameses II, it is probable that there simply was not enough room at the end of the valley for her tomb and so it was placed down the slope closer to the valley floor.

Chamber (B) has a barrel vault in the front section, which was first seen in a royal tomb in the burial chamber of Seti I (KV 17) and was also used in Rameses II's tomb (KV 7). Raised relief painting survives throughout the tomb, but has suffered significant losses. The entryway to QV 60 had decorations around the exterior doorway, of which very little remains. This is an innovation from the time of Rameses II, who added images of the sun god on the exterior lintel of his tomb's entrance. 

The tomb was cleared by the Franco-Egyptian Mission in 1981-83, but has been accessible since the time of Robert Hay of Linplum (1826). It was already largely damaged in Hay's time and Elizabeth Thomas (1959-60) notes sediment throughout the tomb. Christian Leblanc observed that the tomb flooded in 1994, and remaining evidence of that event and prior flooding includes a layer of dried mud on the floor, floodwater marks on the walls, and corresponding deteriorated rock below the floodwater lines. A 1993 geotechnical study recorded six or seven different deposition layers within over 1 meter of sediment accumulated against the north side of the wall between chamber (B) and chamber (C), indicating that the tomb has experienced at least that many flood episodes in its history. The absence of pillars in chamber B, thought to have been removed during the Coptic period to create a ceremonial space, was noted with confusion by Hay. Further evidence of Coptic reuse includes graffiti in the tomb, external mudbrick structures, and fired brick pavers outside the tomb. In relation to the extensive amount of extant pharaonic painting, Thomas noted their brilliance and compares their quality to that of Nefertari (QV 66). The tomb is not open to visitation and a door surround constructed with fired brick and a metal grill door with mesh has been installed. 

Noteworthy features:

The first room (B) has a barrel vault in the front section, which was first seen in a royal tomb in the burial chamber of Seti I (KV 17) and was also used in Rameses II's tomb (KV 7).

Site History

The tomb was constructed in the 19th Dynasty and reused during the Coptic Period (until the 8th century). This reuse is evidenced by overplastering of the tomb walls with mouna, graffiti, the floor was raised (20cm), and the tombs entry stairway was reconstructed.

Dating

This site was used during the following period(s):

New Kingdom
Dynasty 19
Rameses II
Byzantine (Coptic) Period

Exploration

1826: Documentation
Hay, Robert
1828: Documentation
Wilkinson, John Gardner
1828-1829: Documentation
Franco-Tuscan Expedition
1844-1845: Documentation
Lepsius, Carl Richard
1854: Documentation
Brugsch, Heinrich Karl
1860s: Documentation
Prisse d'Avennes, Émile
1903-1904: Documentation
Italian Archaeological Expedition
1927: Survey and Documentation
Porter and Moss
1959-60: Documentation
Thomas, Elizabeth
1968: Tomb clearance
Egyptian Antiquities Organization (EAO)
1970s: Photography
Centre d'Etude et de Documentation sur l'Ancienne Egypte (CEDAE)
1980s: Conservation
1981: Mapping/planning
Theban Mapping Project
1981-1983: Excavation
Franco Egyptian Mission
1983: Photography
Centre d'Etude et de Documentation sur l'Ancienne Egypte (CEDAE)
1988-1991: Conservation
Centre national de la recherche scientifique (CNRS), Centre d'Etude et de Documentation sur l'Ancienne Egypte (CEDAE), Egyptian Antiquities Organization (EAO)
1993: Photography
Centre d'Etude et de Documentation sur l'Ancienne Egypte (CEDAE)
1993: Survey and Documentation
Cairo University
2003: Study
McCarthy, Heather Lee
2006-2008: Survey and Documentation
Getty Conservation Institute (GCI) and the Supreme Council of Antiquities (SCA)
2007: Mapping/planning
Getty Conservation Institute
2008: Tomb clearance
Centre National de la Recherche Scientifique (CNRS) and the Supreme Council of Antiquities (SCA)
2008: Survey and Documentation
Getty Conservation Institute
2009: Photography
Centre d'Etude et de Documentation sur l'Ancienne Egypte (CEDAE)
2010 & 2013: Conservation
Getty Conservation Institute (GCI) and the Supreme Council of Antiquities (SCA)

Conservation

Conservation History

According to the GCI-SCA, wooden post and beam shoring is present in two locations in the rear side chamber (Cb), extending west across the collapsed wall of doorways and into adjacent chamber C. The shoring was erected in the 1980's in response to the observed ceiling fractures and areas of significant loss of ceiling rock and internal rock wall. Gypsum/white cement mortar has also been applied to fill gaps between the beams and the ceiling rock and in several fractures in the rock. Some repair fillings of cracks in the ceiling have been carried out with mortar adjacent to the shoring in side chamber (Cb). Space between the shoring and the rock has also been filled with the same gypsum/white cement mortar. Evidence shows that attempts to remove Coptic overplastering have caused further damages to the painted surface of the pharaonic paintings. There are edging repairs of different types found in pillared chamber (B), side chamber (Bb), and other sporadic attempts to stabilize areas of plaster are found elsewhere throughout the tomb. These include pink and grey-colored repair plasters and a few deep fills with keyed cross-hatching. A CNRS team carried out stabilization of mouna plaster in QV 60 in 1989. Conservation stabilization measures were carried out by the GCI and SCA conservators in 2010 and 2013.

Site Condition

According to the GCI-SCA, the structural stability of the tomb is seriously compromised by the loss of interior walls between the rear chambers (Ba) - (Ca), (C) and (Cb), as well as the wall between chamber (B) and rear east chamber (Cb), and the north wall of the central west chamber, plus the loss of two pillars in chamber (B). The result is a large expanse of unsupported ceiling rock and hanging walls. The tomb's poor condition prompted a geotechnical study by the University of Cairo in 1993. The study noted that only two piers provide support for the expanse of ceiling and rock overburden and identified areas at risk of collapse. Rock throughout the tomb is in poor condition, especially the lower half of all remaining walls between chamber (B) and the rear chambers, where it is severely fractured and lacks cohesion, and is no longer capable of supporting upper portions of the walls. Destruction of the two pillars in antiquity has resulted in destabilization of the ceiling in chamber (B).  Fracturing is also present in the south wall of chamber (B), and the west and south walls of the side chamber (Bb). Localized areas of friable and powdering surfaces of rock are also present.

Recent significant rock loss and enlarged fractures are likely the result of the 1994 flooding. Large areas of the ceiling of chamber (B) have collapsed in the past. Extensive rock collapse is also apparent in rear chambers (C) and (Cb), and the presence of heavily fractured ceiling rock in these chambers constitutes a high risk of future collapse. Wooden post and beam shoring has been installed in rear chambers (C) and (Cb) to support the ceiling rock and surviving upper portions of collapsed walls. Substantial amounts of salts are present as fracture infill and as efflorescence and crusts on rock surfaces, particularly in gate (C) and along the rear wall of chambers (C) and (Ca). When activated by moisture these salts will continue to cause mechanical damage and eventual loss of material.

The condition and loss of the paintings is clearly connected to the lack of stability of the rock. The collapse of all but the highest parts of many of the walls mentioned above has left the remaining paintings essentially suspended and at high risk of continued loss. Cracks visible in the rock often continue into the painted plaster. Surviving areas of plaster are friable with a network of cracking, and in some cases have detached from the rock support below. Surface pitting of the paintings in chamber (C) is also indicative of salt activity. Other surface conditions include flaking and loss of the upper paint and plaster layers, and a noticeable loss of the white background of the paintings. Lower sections of the walls were already lost by the early 1800s, presumably victims of cyclical flood events. Clearing of debris from around the tomb walls by the Franco-Egyptian Mission in the 1970's and 1980's may have caused further instability of the lower parts of the surviving walls. The University of Cairo geotechnical study determined that multiple floods had affected the stability of the tomb by causing fracturing of the rock that led to the collapse of walls and ceiling rock. Two major fault zones and a number of joint planes dipping steeply toward the south have contributed to chamber wall and ceiling collapse. The 1994 flood had a significant impact, the floodwaters scattering archaeological finds stored in the tomb and leaving a thick layer of mud on the floor, now dried and cracked. The tomb continues to be threatened by flooding, being adjacent to the main drainage channel, which is fed by the catchment area. 

Hieroglyphs

Queen Nebettuay

Great Royal wife, King's daughter of his body, his beloved, Nebettuay
Hmt-wrt-nswt sAt-nswt-n-Xt.f mr.f nbt-tAwy

Articles

Geography and Geology of the Valley of the Queens and Western Wadis

The Valley of the Queens and the Western Wadis are made up of numerous valleys spread out over a vast space of desert, each containing tombs for the New Kingdom queens and other royal family members. The poor quality rock has led to damage in several tombs after suffering from earthquakes and floods.

Decorating the Tombs

The artists and workmen responsible for decorating the tombs used a variety of implements in wood, metal and stone in different stages of the process.

Bibliography

Bougrain-Dubourg, Robert. Pour un sauvetage des tombes ramessides. Les dossiers d'archéologie149/150 (1990): 40-43.

Champollion, Jean-François. Monuments de l'Egypte et de la Nubie. Vol. 1-2. Paris: Firmin-Didot Frères; Geneva: Editions de belles-lettres, 1845.

Demas, Martha and Neville Agnew (eds). Valley of the Queens. Assessment Report. Los Angeles: The Getty Conservation Institute, 2012, 2016. Two vols.

Dewachter, Michel. Thèbes: monuments en péril de la Vallée des Reines; La tombe de la reine Nebet-Taouy. Archéologia 53 (1972): 18-24.

Dodson, Aidan and Dyan Hilton. The Complete Royal Families of Ancient Egypt. London: Thames and Hudson, 2004.

Hay of Linplum, Robert. Hay MSS [Robert Hay of Linplum and his artists made the drawings etc. in Egypt and Nubia between 1824-1838]. British Library Add. MSS 29812-60, 31054.

Leblanc, Christian, and Alberto Siliotti. Nefertari e la valle delle regine. 2nd ed. Florence: Giunti, 2002.

Leblanc, Christian. Les tombes no. 58 (anonyme) et no. 60 (Nebet-taouy) de la Vallée des Reines (rapport préliminaire). Annales du Service des antiquités de l’Egypte 69 (1983): 29-52.

Leblanc, Christian. Thèbes et les pluies torrentielles: à propos de mw n pt. Memnonia, 6 (1995): 197-214.